Local and national artists and a record number of international artists flooded into the sixth annual New Colossus Festival in New York City, March 4-9. Spread across 12 venues in the East Village and Lower East Side, the six-day festival welcomed 195 bands from 40 countries and across multiple genres.
Internationally, the 2025 New Colossus welcomed artists from Canada and the UK, along with Iceland, Sweden, Norway, France, Italy, Spain, Germany, the Netherlands, the Faroe Islands, Lithuania, Japan, and many more.
“I’m gonna be playing some sad girl songs,” said Rowena Wise from Melbourne, Australia, before breaking into “Nobody’s Saviour” from her 2024 debut Senseless Acts of Beauty. Wise also shared a ballad of heartache, and heartbreak, including “Indifferent” and “26 Hours,” the latter recounting a bittersweet moment, sitting two rows from her ex during a long haul plane ride to Europe, two weeks after their split.
“It’s funny because since conception, and to the studio and then delivering it to people live and sharing that connection, it’s morphed with its meaning, and then especially the chorus—‘Desperate divide / Heart forsake the mind / The pleasure was never mine / Cruel to be kind,’’ Wise told American Songwriter about “26 Hours” moments before her set. “It’s quite a big aloof collection of sentiments there. It has changed in meaning since writing it, since that desperate time I wrote it, and now it just feels a bit more wistful and pensive. It’s acknowledging that there’s a lot that we can’t control, rather than focusing on the desperation, and just being at peace with that, essentially.”
During her set, Wise admitted to delivering some “existential angst” even pinpointing the importance of paying attention to those smaller moments in life, in the “grand scheme of things” before closing her set on “We Are Nothing.”
Throughout the festival, artists from several regions were represented during showcases, including Canada, with the shoe-gazing Diamond Day, Amery, Laughing, Pressure Pin, FUDDGE, and Truck Violence during the M for Montreal showcase.
You Said Strange from Normandy, France delivered some post-punk, new wave into the night, peeling through songs from their 2024 EP Trade Your Soul. Flanked by two jellyfish, Icelandic-Norwegian singer and songwriter Lúpína transfixed the crowds during her two Colossus shows with pillowy pop from her second album Marglytta (Jellyfish) from 2024 and her 2023 debut ringluð.
During the Viva Sounds showcase with Westside Music Sweden, Telos Vision came all the way from Gothenburg, Sweden, offering up some garage-yacht rock vibes to the crowd at Baker Falls. “Do you like guitar,” said vocalist and guitarist Teodor Boogh after some technical sound difficulties. “Well, you’re in for a treat.”
“For five days Manhattan is back. … Sweaty, wild, talking, real people shouting out our band name in the street. We were all over the place.”
Patrick Wagner of Gewalt
The band grooved through their set with songs from their 2023 album Traces of Light, including “On the Line” and “Perspectives” which Boogh described as a song “about everything all at once.”
For some, New Colossus was also their debut in the U.S., and in New York City. The heavier Stockholm foursome Sodakill had the audience head banging on command through the band’s short and gritty set. As singer Julia moshed her way in and out of the audience the band filled their set with their metal-punk with songs about getting intoxicated, and “losing everything.”
“It was so amazing to play our first-ever show in NYC,” said Julia. “We met so many great people and new head-bang friends. We saw some really cool bands and made world touring plans. Because of the festival, you’ll soon be able to buy our record worldwide.”
She added, “We hope we’ll be invited back to the U.S. and NYC very soon. There are a couple of Mexican restaurants left for us to try.”
The Berlin-based female trio Matching Outfits also made their U.S. debut from Berlin, adding in their new single “No Whiskey” and songs from their 2022 debut Band Made Out of Sand.
Also from Berlin, Gewalt’s Patrick Wagner, Helen Henfling, and Jasmin Rilke flipped through three shows at New Colossus, including a set at the Dedstrange Records Party showcase at Pianos and fitting in a few fast-punch songs, including “Schwarz Schwarz” from their 2024 album Dopeldenk. “The next one is not fun,” joked vocalist Wagner about another song in the set. “I wish we were a fun band.”
“In times of TikTok-ing, stupid solo so-called artists Gewalt wonders if there is space and time for bands, for dropouts for weirdos,” Wagner told American Songwriter shortly after the band’s show at Pianos. “New Colossus gives us and many others unexplored sickos a stage in the middle of the universe. For five days, Manhattan is back. … Sweaty, wild, talking, real people shouting out our band name in the street. We were all over the place.”
Wagner added, “We made so many new fans and friends—filmmakers, photographers, and other artists. It was vibrant, sticky, and filthy. We had sex in cars and got drunk on way too expensive beers. And hell ya, Gewalt made New Colossus dance and lose its mind. We will come back, that is for sure—if Trump lets us in. Well, tough times make good music.”

Casting some Car Seat Head Rest vibes, the Brooklyn, New York-based Dolly, who debuted with their 2014 EP Dolly Spartans, charged through their half-hour set, and only show at Colossus, with songs from their 2024 EP Interloper and some “oldies” from Time Sides With No One in 2017. “We’re Dolly from New York,” said singer Michael Eliran, “home of the New York Minute.”
“I’ve never seen the Lower East Side flooded with so many bands at once,” Eliran said. “Playing is always fun and the crowd was lovely, but for me, the highlight was getting to see artists from other parts of the world, many of whom were terrific.”
“The NYC music scene has really gotten behind us more and more each year.”
Steven Matrick, Co-founder, New Colossus Festival
The Brooklyn and Hudson Valley, New York-based Glimmer filled Berlin with a wall of spinning reverb from “Dissolve,” and “Homesick” and their closing “Sorrow” with a few words in between.
Different sounds flooded out of venues, from the Columbus, Ohio art-pop noise of Big Fat Head to Barber For The Queen, a Montreal quintet that had smoother indie, synth-pop energy, while Smalltalk, who made some grungier noise at Arlene’s Grocery with songs from their 20205 EP as if.
Whether going to Berlin on Avenue A or Baker Falls on Allen Street, most of the participating venues during New Colossus, which also included Pianos, Nublu, and Drom, along with shows at Bowery Electric, Sour Mouse, Niagara, and Parkside Lounge on select days, were a five to 10-minute distance walking from one another.
By Saturday evening, music from Norway was spotlighted as Sofi O, the moniker of Sofie Tollefsbøl, opened up a four-act showcase at Nublu by Jansen Records and Norwegian management company Big Boy. Tollefsbøl debuted with her solo project Sofi O, her fist outside the funk and soul group Fieh, which she co-founded in 2014. Her braided hair intertwined in white ribbons, Sofi O shared five new songs and called the festival and being in New York City “dreamy.” She added, “New York is such a beautiful place, and I appreciated getting to travel there and play there so much. I met so many kind and interesting people, and that inspired me to make more music. It was a trip full of memorable experiences, and so many sweet people.”
Throughout her set, Sofi O, who also plays bass for this project, shared her latest single “Gogogogo,” a song she wrote to cheer herself up and was inspired by GloRilla’s “Yeah Glo!” and even guided the audience through a “traditional Norwegian dance.”
“Life consists of different periods, new chapters, and I feel like they come naturally,” said Tollefsbøl on taking on her new solo project. “I have for a while known that I wanted to make some music where I’m even more in charge than in Fieh. [It’s] is a large band with a lot of people and a lot of possibilities. I felt a strong urge to make music that is more minimalistic, and something I could be 100 percent in control of myself.”
Sofi O was joined by other Norwegian acts including Most Likely Marlin, the project of vocalist Malin Isabel Disco Guleng from Bergen, Norway, who will release their debut EP in spring 2025. Before heading to Tokyo for some shows with Norwegian artist Sigrid, Guleng shared several songs, including “My Friend Heather,” “Milli in a Million,” and “Sports Car.” From Oslo, Mall Girl shared “Super Lazy Girl,” a song about conquering fears—Lonely nights seem no good / When I think of all I could and should—before Yndling, the project from singer, songwriter, and producer Silje Espevik, who released their third alum Mood Booster in 2024, shared some mistier pop.
The 2025 installment of New Colossus, founded by Lio Kanine, Steven Matrick, and Mike Bell, launched in 2019 and continues to expand each year with bigger lineups and new partnerships with venues.

“The NYC music scene has really gotten behind us more and more each year,” said Matrick. “I think the way we expand is just by meeting more and more bands and making the lineup better and better each year. We have now hosted 800 bands in six years and hopefully, they are all going all over the world and speaking about the amazing time they had with us. For the artists, Colossus was an opportunity to intermingle with international acts, and locals, and feel some sense of community regardless of origin.”
Bell added, “We are certainly interested in growth and are happy that each year we get a little bigger and of course a little better at putting the pieces together. At the same time, we believe that bigger isn’t always better. The jump between 2024 and 2025 was a bit more significant than previous years and we are still in the process of assessing the results. Either way, we’re excited to come back in 2026 and other events that we will be putting together in the lead-up to next year.”
Along with a bigger lineup and expanded international presence, the festival also continued its series of panel sessions, including a keynote interview featuring Peter Shapiro, founder of the live music and media company Dayglo, and the venue Brooklyn Bowl, along with music journalist David Fricke.
up his year, the festival also hit another milestone by running for six days, a first in its six years, and a day more than previous fests.
“It’s wild, we’ve never done six days before,” said Matrick. “For the three of us, there’s such a buzz you get off seeing an amazing band you’ve never seen before and we get to do that about 100 times [during the] week. It’s a fantastic experience that is only furthered by making friends with people all over the world.”
The 2026 edition of the New Colossus Festival is scheduled for March 3-8.
Main Photo: Gewaly by Gershon Vargas / Courtesy of New Colossus Festival